| Attributes | Value |
|---|---|
| album | |
| voice | |
| accompaniment | |
| product type |
How many singers are singing or studying this score? Our business relies on the purchase of one original score per voicing and a licensed copy for each singerโas well as the purchase of additional licenses in the future when more copies are made. (For example: For a 30-voice choir, you would buy a license to make 30 copies.) You may also discover from Dalglish recordings that we encourage creative and fresh performance ideas. Go for it!
Looking for a variation that isnโt offered here? Contact us to request a custom arrangement.
Please review our policies before making a purchase.
Text From the Book of Ecclesiastes
Adaptation and Music by Malcolm Dalglish
Commissioned by The National Cathedral Chorus, Jill Bixler, Director
โUnder Heaven, Under the Sunโ is a new setting of poetry adapted from the well-known Ecclesiastes verses from the Bible: โto everything there is a season.โ (Chapter Three) This adaptation was inspired by the writings of James L. Kugel in his book, โThe Great Poems of the Bible.โ I was particularly taken with the Hebrew translation of the opening words of Ecclesiastes. In the more familiar King James Version the preacher says โVanity of Vanities, all is vanity,โ a somewhat cynical or negative view of life. Whereas the Hebrew translation, Mr. Kugal tells us, yields a more descriptive and less judgmental interpretation: โAll is breath-like, evanescent, and so fleeting.โ These words provide the inspiration for the chant-like alto part. The often-repeated words, โunder heaven, under the sun,โ maintain a prayerful, breath like pulse that harmonically underscores the text. It would be very appropriate for the rests in this chant to have audible breaths. One will note that the verses in the song list the familiar array of lifeโs many contrasting seasons, not quite in the same order in which the Bible has them listed. Iโve also concluded the song with lines that in the book of Ecclesiastes appear before and after this famous poem. The opening lines should be sung like a Celtic air with pure straight tone and grace note embellishments.