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Streams of Living Praise

$10.00
Attributes Value
album

voice

, ,

accompaniment

product type

How many singers are singing or studying this score? Our business relies on the purchase of one original score per voicing and a licensed copy for each singerโ€”as well as the purchase of additional licenses in the future when more copies are made. (For example: For a 30-voice choir, you would buy a license to make 30 copies.) You may also discover from Dalglish recordings that we encourage creative and fresh performance ideas. Go for it!

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Total price:$10.00

Words by Malcolm Dalglish and Isaac Watts
Music by Malcolm Dalglish
Written for The Voices in the Laurel Choirs, Waynesville, North Carolina, Martha Youngwood, Director

This song is influenced by the โ€œfuguingโ€ hymns of the Sacred Harp tradition popular in Early American and English Country Churches of the 18th century. The music is bold and modal with open harmonies. There is often an opening homophonic section followed by imitational phrases in polyphony that come together in the end. Most of these songs were set for SATB mixed voices, with the melody in the Tenor voice. This song has the melody in the top voice. The Isaac Watts text featured in the refrain inspired this Hymn. The words written in 1709, โ€œnow shall my inward joysโ€ฆโ€ were set most notably by William Billings in his hymn, โ€œAfrica.โ€ Isaac Watts led a revolution in early 18th century liturgical poetry and he is still considered to be one of the most prolific hymnodists in the English Language. His texts were very singable, and his imagery very powerful. His words in this song depict for me the way singing can be a transcendent experience in which the singer physically becomes a form of โ€œliving praise.โ€

Download a perusal copy: SAB | SATB | SSA


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